![]() About the play Cast and creatives Tour Dates & Venues Trailer Production photos Book Tickets More Julius Caesar. There has been a notion that it could have been Marcus Junius Brutus 4 (Caesar's most famous assassin), who, after being adopted by his uncle, was known as Quintus Servilius Caepio Brutus for an unknown period of time however, this is just conjecture. As the world spins out of control, chaos and superstition lead to civil war. Quite apart from its thematic preoccupations, their “Julius Caesar” made a startling impact from its images, sounds and unforgettable cast, while all the convoluted program notes ultimately added up to nothing more than one more example of empty rhetoric. William Shakespeare Concerned that Julius Caesar poses a threat to democracy, revolutionaries take the violent decision to murder him. Staged with a ravishing sense of design - from the gauzy, impressionistic shadow land of Act 1 to the shattered metallic facade of Act 2 - the production recognized that stagecraft itself is a form of rhetoric and continually used the devices of theater to trump theatrical illusion.īut engraving “This is not an actor” (in French) on a tombstone that descended on the dead Cassius couldn’t nullify Bertini’s performance any more than Guidi and the Castelluccis could nullify their own superb theatricality by voicing suspicions about theater in their little red book. Julius Caesar (2002) - Backstage Eng Subs Ita by Film&Clipsfull movie coming soon Director: Uli EdelWriters: Peter Pruce, Craig WarnerStars: Jeremy Sisto, Ri. And if each act began with the sight of a battering ram, it was words that battered at life in this “Julius Caesar” and left only a bombed-out wasteland as their monument. ![]() In Shakespeare, Antony exclaims “O judgment! Thou art fled to brutish beasts / And men have lost their reason.” Here, however, we saw the exact opposite: The cat’s head spinning dizzily at verbal overkill and even a chair walking away from Cicero’s oration.īrutish beasts and the material world thus rebelled at what passed for human judgment or reason. Superimposed on this action plan or agenda: contrasts between destructive, word-driven human society and the instinctual animal kingdom - a realm represented by a live horse (and later a skeletal life-size horse puppet), a flying seahorse, a stuffed fox and a mechanical cat. vskij (Fabio Sajiz) urged her to take “the line of action.” But she remained paralyzed, unable to either die or go on living in the war-ravaged world created by her own words. ![]() Like the Brando tape, the presence of the Act 1 Cassius and Brutus in secondary roles (Cassius 1 assisting Cassius 2, etc.) helped undermine any conventional suspension of disbelief and keep the ruinous miscommunications in these scenes in high relief.Īt the end, Cassius beckoned to Brutus from beyond the grave (“It’s beautiful here”), and a character identified as. Very Samuel Beckett in style, Act 2 examined the downfall of Cassius and Brutus, here recast with two dangerously emaciated women: Cristiana Bertini and Valentina Picello. Julius Caesar (TV Miniseries) is a TV Series directed by Uli Edel with Jeremy Sisto, Richard Harris, Christopher Walken, Valeria Golino. ![]()
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